Faux Fair

Last year c3 launched its inaugural fundraising exhibition Faux Museum to assist with the long-term sustainability of the gallery and support artists by reducing the gallery fees. Part-one in a… Continue reading →

FAUX FAIR CURATORS / ARTISTS

Curators: Sophie Bannan (NZ), Kim Brockett, Jon Butt, Sarah crowEST, Michelle Gordon, Stacy Jewell + Georgia Hutchison, Melanie Katsalidis, Vivian Cooper Smith, Tai Snaith, Nella Themelios, Beth Ellen Wilkinson and… Continue reading →

FAUX FAIR SUPPORTERS

Proudly supported by: ABBOTSFORD CONVENT FOUNDATION COLOUR FACTORY MORNINGTON PENINSULA BREWERY THE ROBOTS ARE COMING Thanks to: Sophie Bannan, Kim Brockett, Jon Butt, Sarah crowEST, Michelle Gordon, Stacy Jewell +… Continue reading →

FEELING MATERIAL

Spring / Summer Series Part 2: Feeling Material
 28th October – 22nd November Opening Wednesday 28th October 6pm to 8pm Co-curated by Benjamin Woods and c3 Projects Feeling Material is… Continue reading →

Feeling Material: Artists

Grace Anderson Jessie Bullivant Eliza Dyball Helen Grogan Melanie Irwin Open Spatial Workshop (Terri Bird, Bianca Hester, Scott Mitchell) Geoff Robinson Charlie Sofo Isadora Vaughan Benjamin Woods (Above image: Benjamin… Continue reading →

Feeling Material: Events / Actions

Alongside the exhibition within c3, a number of key events, performances and screenings will take place in locations across the Abbotsford Convent site and beyond: Open Spatial Workshop (Terri Bird,… Continue reading →

Feeling Material Text

Writing alongside the exhibition Feeling Material, October-November 2015, c3 Contemporary Art Space Benjamin Woods • Matter and discussion are forces that can be perceived together and apart. • It can… Continue reading →

SASKIA DOHERTY

to myriad fissures between wetness and dryness particulates and water round and round in the tradition of the stone which, it is assumed, gathers no moss draws a breath curls… Continue reading →

HANNA TAI

Hanna Tai uses photography, video, sculpture and sound to reveal ordinary experience as poetic and uncanny. She is concerned with how objects, bodies, images and text change in relation to… Continue reading →

SUSAN JACOBS
+ SOPHIE TAKÁCH

A working model: Particles. Particular permutations, mutable and multiple. A flimsy flickering through a closed door. Ideal perspectives, becoming unstable as they are observed. Drawing the outside in. Adsorb and… Continue reading →