THROUGH YOUR EYES
In the past two years I have focused on technical development of painting with enamel on aluminium. Specifically, I have been working out how to create images and use materials in such a way to generate a friction between properties or production and symbolism. My works engage personal history with the propaganda of nationalism and commercialisation. One of my main concerns has been to deploy this generated friction to increase intensity and edginess in order to imply political connotations.